Berührt / Touched Besitzen / Own Fühlte / Felt Füße / Feet Häufig / Often In letzter Zeit / Lately Knöchel / Ankles Ohren / Ears Schockiert / Shocked Sehen / See Wie / How Zeichen / Characters Zerkratzt / Scratched Zeug / Stuff
Normally when I'm sent a script I'll read it through to see how it hangs as a story and then I'll go back and read it through again and look at the character.
The skin of my character in 'The Man Who Fell to Earth' was some concoction, a spermatozoon of an alien nature that was obscene and weird-looking.
Accents are very easy for me. With me, it's clothing and makeup and hair and all that stuff that inform how the character moves and feels.
You know what? I don't care. I'm my own guy. I'm very secure with my sexuality. I can cry anytime I want.
Not having a father always made you feel that perhaps you weren't quite the same as other people. You felt you weren't complete.
It was very difficult acting. I feel it is a very tough job to portray someone else's character and to behave like that on screen.
Art, it seems to me, doesn't need freedom so much as it needs courage and love - some would call it 'soul' or 'Eros.'
Your source material is the people you know, not those you don't know, but every character is an extension of the author's own personality.
The way I write my shows, every character is its own organic thing. No character has a life at all until I see it played by somebody.
