Zitat des Tages von Natasha Trethewey:
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
Poetry's a thing that belongs to everyone.
It is a tremendous honor to be named poet laureate, but one that I find humbling as well, because it's the kind of thing that makes me feel like - even as it's been bestowed upon me - I must continue to live up to what it means... Being the younger laureate in the age of social media is a new challenge.
Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
My mother and my father divorced during the time that my father was getting his Ph.D. at Tulane.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it.
I know that my tendency is to be linear, and I'm trying to find ways to subvert that. And so in 'Bellocq's Ophelia' my device for subverting it was to tell the story and then to tell it again; it always circles back to this one moment, and it's not linear, but it's round in that way, and much of 'Native Guard' is like that.
Even though I am the daughter of a poet, and my stepmother is also a poet, growing up, I didn't think I could understand poetry; I didn't think that it had any relevance to my life, the feelings that I endured on a day-to-day basis, until I was introduced to the right poem.
Often it seems that there are writers who are their best selves on the page. That Seamus Heaney was as genuine and deeply admirable in person as in his poems was to me a gift, then as now.
In my own life, I believe it was an early education in poetical metaphor that helped me to grapple with and make sense of all the difficult and traumatic things that were to come.
It took me years of attempts and failed drafts before I finally wrote the elegies I needed to write.
I think I felt at some point that I couldn't understand poetry or that it was beyond me or it didn't speak to my experience. I think that was because I hadn't yet found the right poems to invite me in.
I am interested in 18th century natural philosophy, science, particularly botany, the study of hybridity in plants and animals, which, of course, then allows me to consider the hybridity of language.
I think poetry's always a kind of faith. It is the kind that I have.
Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
I overheard things in the Woolworths when I was a child, people saying, 'Oh, poor, little thing,' as if they had some understanding that I was being born biracial into a world that was still very difficult for interracial marriages and biracial children.
I think the biggest thing that I have to do is to remind people that poetry is there for us to turn to not only to remind us that we're not alone - for example, if we are grieving the loss of someone - but also to help us celebrate our joys. That's why so many people I know who've gotten married will have a poem read at the wedding.
A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history.
My name is Natasha Trethewey, and I was born in Gulfport, Mississippi, in 1966, exactly 100 years to the day that Mississippi celebrated the first Confederate Memorial Day, April 26, 1866.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.