Zitat des Tages von David Means:
I like landscape, I guess. It's kind of a game to see how you can describe it.
You can't take a story and just stretch it out - that does not a novel make.
I find the middle classes kind of boring. The middle class has kind of been beaten like a dead horse by fictional writers. It's old news, and literature is supposed to bring new news, and for me, I feel I have to go as far out as I can to try and tell the kind of stories I want to tell.
My characters - no, make that most characters - are seeking the shelter of narrative resolution, a place of quiet and grace.
I think most short story writers, at one time or another, over the course of several books, naturally skirt near the edge of one genre or another.
Those who see beauty almost too intensely can easily look mad to those who are functioning within the confines of so-called normal life.
It's better to know your story than not to know.
I was a kid who was born and raised on Johnny Cash. My father played 'At Folsom Prison' constantly. Cash was the only thing I remember coming from our big, warm stereo console. Even then, I knew Cash was uncool. I knew he was an unhip Republican.
Everyone in my family still lives in Kalamazoo.
From George Martin's classically inspired production of the Beatles to Peter Gabriel's early solo masterpieces, to Stereolab's beautiful loops and blips, U.K.-based bands have often found a way to squeeze warmth and compassion from the stone-cold - especially now that the tubes are gone - machinery of the recording studio.
I love novels, and I read them more than anything, but stories cut in sharp and hard and are able to reveal things in a different way: they're highly charged, a slightly newer form, and inherently more contemporary.
In the days following 9/11, when we were reeling and disoriented, there was a kind of solace to be found in old recordings, and even pseudo-folk singers like James Taylor seemed to be safeguarding something, drawing back bygone days.
The more you know about Bob Dylan, the less you know. A truly enigmatic artist, Mr. Dylan's work and life offer vaporous handholds, explanations, and instructions. Attempt to grasp them, and they will only dissipate and re-form into another contexture or idea.
I'm not sure if a writer should talk about themes. Themes arrive out of the deeper structure and concerns, but to me, the main thing is getting it down right, writing about specific characters in specific predicaments, and finding a way to be true to the story itself, not only in the first burst of draft but in the revision, too.
I don't think you could write fiction or create art unless you are sort of a positive person.
A short story collection can be as exciting as a novel. It is a real complete experience, like when you listen to a real good recording, a Beatles record, and there are so many good songs.
Typically, I spend a lot of time - mostly in the morning - kind of drifting, reading, walking down along the river, looking at photographs, or even driving around. Then, if I'm lucky, I get to work in the early afternoon, one way or another.
There is this idea of 'north,' and if you're from Michigan and you wandered the Upper Peninsula, you know what it feels like. The sky has a particular vibe, a coldness, stretching into the upper reaches of Canada.
I studied English at the College of Wooster in Ohio, and I did an M.F.A. in Poetry at Columbia.
I think all good short stories are about what it means to tell a good story.
Iggy Pop is a pure Michigan product - gritty, smart, but not afraid of looking stupid or foolish. His father was once a high school English teacher. I love Iggy as a physical entity, sinewy, twisty - even in old age - an embodiment of rock and roll history.
I've got deep roots in Kalamazoo, with a grandfather, Harold Allen, who was a big part of Upjohn Co. for many years as the corporate secretary and friends with W. E. Upjohn.
What I appreciate about Radiohead's work - and it's most evident in 'Hail to the Thief' - is how the juxtaposition of narratives on the band's albums somehow creates a sense of wholeness.
Wars never simply end, not for those in combat and not for the culture, and one way or another, they shape-shift from generation to generation.
You don't know what you need when you're a young writer. You can get small slivers of critical input, advice, comments, but if you're deep in the perplexity of your own process, as you should be, sorting it out in your own way, nothing is going to guide you more than small gestures of encouragement.
A few days after 9/11, I put the old cassette of 'Born in the U.S.A.,' twisted and worn, on the car deck as I drove past West Point, across the Bear Mountain Bridge, along the Hudson River. It was the perfect moment to hear it.
I'm a relatively optimistic kind of guy.
I write first drafts by hand, often out of the house somewhere, and then, when I've got a draft, type it up and let it sit, sometimes for a long time, and then when I'm ready, I work on revision.
A good folk song tells you something you already know, in a form you're already familiar with, on terms that were set down long before you were born - when the country was primarily windblown dust, open wagon trains, and dysfunctional towns like Deadwood.
A kiss is often about the future and the past. A lost dream, about the discretion of the idealism.